Monday, August 30, 2010

Sparrows


There were so many sparrows in my tree lawn maple,
that a ten year old boy who lives down the street
stopped to stare into it from my driveway,
then he moved by the trunk
to look up through the branches.

It was odd, so far out of ordinary,
that a black kid with a mohawk
had to stop, that I had to stop,
that my neighbor silenced her story to listen.
How often do three busy people
perch to attention for the same thing?

It was a royal racket, dozens of them,
maybe even a hundred, gathered before dusk.
Like Muslims for the another lean to Mecca,
they gathered to a common calling bell
and began the Maghrib, a sunset prayer.

Yesterday, the song at church that grabbed my attention
was Khudaya Rahem Kar, from Pakistan.
The chant asks for God's mercy over and over again.
The first syllable, "Khu" swells like a flock of people
gathering, then surging, to a needed God.
The R in Rahem rolls, then the M becomes a hummm.

I have been singing it all day,
not really sure what mercy is or what kind of mercy I may need.
Leniency, clemency, compassion, grace?
Charity, forgiveness, forbearance, softheartedness?
For what I have done, what I will do?
The many ways I fall short,
swooping into my selfish self?
Sympathy, indulgence, tolerance, generosity?

Maybe that is what the birds were singing in my tree.
Every word they have for day, every word they have for light,
every word they have for flying, for being free,
every sound they have for flight.

Who knows what I say everyday.
All I know is that I said so many words this afternoon
that my voice grew gravelly, dusty, then was gone.

Perhaps it is best to stick to one word, one sound,
to save up my speaking for the end of the day,
and chirp it out over and over again,
under the darkening cover of green,
as the sun accepts its release.
Perhaps mercy, God. Perhaps, goodness, God.
Perhaps, thank you, God. For all that I have,
and all that I need, and all that is held
away from me, so that I must
make a pilgrimage to mecca on my own two wings.










Saturday, August 28, 2010

In case I forget


I hold the pencil,
I choose the colors,
I decide the shape upon shape,
it is I who picks how hard to press.
I wait until the pencil tip is too dull for drawing,
then my hands are the ones that sharpen it.
I determine what gets posted,
my fingers clicked on this picture to upload.

My friend writes poems about clouds
shaped like aramaic scrolls
and veins of streetlights seen from a plane.
Currents under frozen rivers.
I am not as smart as she;
I have a much more direct metaphor.

This mandala did not exist until I conceived it,
or, more realistically, until I let it come from me.
I did not think that I was going to draw
concentric lopsided quadrilaterals.
But I did have to get the sketchbook,
I had to find an open page,
I had to be willing to select the first prismacolor,
and touch it to the page.
I had to figure out what to do next,
then next, then next. I had to cock my head,
and determine the subsequent step when none was obvious.
I did not know that it would turn out
beautifully, and so would this picture:
the one that reminds me of the work.

Every day is like this:
the black page, the empty white rim,
the medium, the intention, the acts
of imagination, formation, inauguration.
It is the same, filling the circle
of a page or the curve of time.
In case I forget, life is not happening to me,
I am happening to life.




Sunday, August 22, 2010

The Cathedral of Life

...would be outside in a space like this,
or inside if you need it to be.
Not in a suburb of North Canton
in Stark County. The Cathedral of Life
would be in Greene County, Ohio
in a town named Grassy Point,
or Silver Creek. You would want to go there,
walking in upon eager feet, ragtag but ready.
No pressed shirts, no button down skirts.
Not a polished shoe in sight.
Dogs and ferrets, hummingbirds.
One eyed pirates and wheelchair dancers.
Everyone welcome, wearing the last week as clothes upon their backs,
and carrying a cup full of wishes with a bendy straw.

The call to worship would be spoken
in pentecostal languages,
the right one for every set of ears, or every pair of eyes,
if that is the way you hear, by seeing.
The wind through the leaves,
the acorns plunking,
a pair of blue herons on their dinosaur flight.
We would gather together, hearing the language
that tells us God is near.

The altar would be piled high with dog-earred books,
a jelly jar of zinnias, wet river rocks,
a bowl of ripe cherries, twisted sticks,
a tape of your grandmother's voice,
the drink you left on the bar in Montana,
her favorite pillow, a street truck enchilada,
a Huichol painting signed on the back,
a trinity of clay marbles, a cairn of sand,
a picture of yourself before you became you.

And when someone rose to speak,
(it could be anyone who speaks),
he would not talk of sins but stories.
Of splinters. Of something rising in his best self.
And we would listen, a cicada stillness in the air,
then laugh, then cry, letting the salt out of us.
Trading it for fresh water.

Someone would pray, or all of us would pray.
Saying -- with more words or less -- thank you and please.
Thank you for the five deer in the field. The nun on the bench.
The quick sprouting of fall peas. The phone call.
The smell of clean sheets. A room of one's own.
Please bring release. Please offer mercy.
Please show us grace. Give us greater capacity.
Let us bow down and lift it all, every bite of living.

We would pray to ourselves, our distant brothers,
our new sisters, the ones who see.
We would pray to our dead mothers,
the far away fathers. A humble Buddha,
a one-armed Jesus, Mohammad with hippie hair and flip flops.
We would pray to the eastern sun, the westward weather,
the earth that keeps spinning.
We would pray to the ones who hurt us,
left us, or recused themselves from our lives.
The ones who know, the ones who listen,
the ones who still can find the soft spot in our skulls.

We would pray in silence, or in singing.
We might shout out or at. You may even
need to lay your head on a cold marble floor
and weep. In each case, someone will place
a hand upon the small of your back
so that you will feel heat. You will feel held.

There will be music. Dylan, I suspect,
but played by a young woman on piano.
Maybe Thelonius Monk or Abby Lincoln.
Pink Floyd through expensive speakers,
Karen Carpenter and Mama Cass.
And maybe the music would not even be music.
Labs barking their "you've come home" bark,
soup simmering in the winter,
the clatter of a table being set,
the rusty hitch of a swingset moving back and forth.
I'd hear my music as a whisper, a night whisper in the dark,
the orange harvest moon rising in the window.

We would spend time in silence,
but it would be a ripe silence.
No bowed heads or nervous nail picking.
Our eyes would be open, every muscle relaxed
as we reclaimed the finite bodies that hold our wider selves.
One woman -- with dementia -- might speak
about her garden and some salty perch
throughout the silence, but her words would feel
like bubbling water, water cleaning us too.
Her reality a mystery no greater or less
than the mystery of our own.

There would be touching in the cathedral of life,
though I do not know exactly how that would work
having never seen its natural occurrence where I worship now.
But if I need to reach out, a hand would grab for mine.
If a shoulder was required, your heavy head would find one.
If anyone needed to be reminded that each is wholly holy,
we'd find a way. Kisses on breast scars,
a leg pressed against a leg, fingers walking the lines
of waiting lips. It would just happen,
the same way a sycamore bends to the breeze,
the same way water springs from source,
the same way all life leans to light.

Communion would be served on rough hewn wooden platters
and in hand-thrown clay goblets. Still bread, still wine.
But they would not be body and blood shed for our sins.
They would be sustenance for the journey.
Food to keep us going. I would serve you, and you would serve her,
and she would serve me. We might hold our hands out,
like humble cups waiting. Or we might open our mouths,
so that something pure can be placed on our tongues.
Or we might grab the loaf and tear off the hunk
we need, some weeks more than less. And we might sip,
or we might gulp -- unquenchable -- or we might pass the chalice
back and forth between us until the glass is empty.
Still bread, still wine. Maybe peach wine.
Shared in joy, not solemnity.

Then we would pass the peace. And it might take hours.
Me telling you about my seventh grade gym class,
you reading me a poem about the bruise on your left arm.
Him standing alone in the meadow, counting the second between falling stars.
Her layering spinach on ricotta for lasagna.
A group playing two hand touch on the open lawn of the church.
Everyone doing whatever it takes to regain a stronghold on self,
on the beauty of other, and the goodness of God.
Feeling the solid certainty known from love and -- not forgiveness --
but the softness born in moving from strength into strength,
giving grace upon grace, moving from one amen to the next so be it,
until we are to meet again.





Monday, August 16, 2010

Tim O'Brien


...wrote an amazing chapter in an amazing book called "The Things They Carried." It's about the objects the men took into the fields of Vietnam with them. The things that kept home close. Things that brought solace.

I have a fine affinity for the objects around me. I am not sure if they bring me comfort. Or security. I am not certain if they are talisman. Icons. Touchstones. All I know is that I feel safe in the company of my beautiful things.

Today I took a tour through the museum of my house. Moved a small jar of marbles. Placed a lime green bowl next to a sea green bowl. I held a white beach stone, one that has a miracle dot in the middle. I hung up new art. I rethought the hallway to the bathroom. I found a spot for new balloon seed pods. Then placed a piece of glass in the western window so that I could watch the sunset through it. I made sure that every room had a ceramic ball in some corner. I put a shine on all the flat surfaces.

Everywhere I look there is something that can lift me. Put me back in my best self. Make my eyes happy.

Then I headed upstairs into the dry attic and started to haul bags and bags of junk out of there. I am sure, at some time, each object meant something to me or my mom or my grandmother. No doubt, there was a summer that I needed an oscillating tower fan. And I am sure that the van Gogh print I bought in DC hung in an important spot of another house, when I was a different person. For some reason, I have 8 sets of queen sheets. Some with flowers on them. And, perhaps, I wanted a red elephant, and 600 colored Christmas lights. I even found a map of Tennessee from 1983. Old standing lamps, a mixed-taped recorder, a thirteen inch TV, a brand new bird cage, a brass curtain rod seven feet long.

They all hit the tree lawn with a happy plunk.

Then I went one step further. Threw away things that used to mean a lot to me. A pillow Carrie made me on our sixth anniversary. A magnetic board where we used to post poems to each other. A bag of clear quartz.

I did not even hesitate. I did not stop to think, nor revisit a time or place that is not now. I do not need Carrie anymore. I do not need to carry the things Carrie gave me. The war is over. I am coming home from the paddy field. I am finally coming all the way home.

Saturday, August 14, 2010

A poem for Nikki


I want to say to you

that I do not know the difference

between repentance and redemption.

You said one and I thought the other.

Maybe that is because, for me,

I will be delivered from my guilt

and atoned for my sins by repentance,

by taking another path.

I have thrown thousands of rocks into rivers

as we did today. And I wonder

if they have slid down the Black,

tumbled through the Chagrin,

and ended up all in one place.

I wonder if they have piled up,

every regret on top of every sin,

onto some silty floor.

And every day, they are baptized,

made smoother and smoother

by the gentle friction of time.

And I wonder, if, every summer,

some young girl wanders out into

that stream, some solemn brown eyed saint,

to stand upon the dam of my contrition,

so that she can be on something sturdy,

but not quite in the water, running.

Her bare tan feet on my life,

her small but able toes

curled over stone, as she faces where

the water is going,

not where the water has been.

Friday, August 13, 2010

eat, pray, love

Even though I said I would not see this movie, of course I saw it on its first day of release. And, knowing it would pale in comparison to the book, I was surprised by how much it paled. I am glad that they did not even try to recapture Liz Gilbert's moment of pure enlightenment. In fact, I am glad that they ignored much of the pray section. How do we, after all, visualize something so ineffable?

Richard from Texas, while admirable, lacked his punch. There was no blue light. There was no climbing out of the ashram window to get to the Gita. There was not the wisdom of Ketut. He was just a toothless, kind man.

I was glad, however, that the two most repeatedly spoken phrases about praying were "God is within" and "Offer love and light and let it go." Those two, which stayed with me after the book, will stay with others who only see the movie. Those ideas, I think, are worth the price of the ticket.

But today I find myself thinking of my eating. My praying. My loving. It's day three of a 90 day commitment I made to a new eating plan. And, although yesterday was shadowed by a massive headache and today by the same weight of lethargy, I feel good about this plan. I am not eating alone anymore either, though I ate my meals by myself. Every day I report in to Google docs, where a friend will read whether or not I have been successful. And even this entry is some kind of coming out. A promise I have to honor now that it is in print.

Eating is not a panacea to sadness. Eating is not a tool for celebration. Eating is not a way to quell waves of self --doubt and fear. Eating is for fueling the body. I am too old to be learning this now.

Praying. Interestingly, after seeing the movie this afternoon, I went to Gypsy Bean coffee shop and read some of Deepok Chopra's book, The Third Jesus. I was struck by his proposal that the first Jesus was a man who walked the earth, doing and saying things important enough to have had those actions and thoughts recorded for all time. The second Jesus is the theologically bastardized Jesus, layered with each sect's interpretation. And the third Jesus is a way to enlightenment. A path.

I found myself so relieved to read this. Because, really, I do not want a savior, I want a way. No, not singular, let me correct that. I want another way -- as many ways as possible to a higher state.

I also was struck by Chopra's subtle distinction between light and darkness and, the far more resonating, light and shadows. It all bears light. Even around the obstacles and over the ruddy lanes of living, there is light creating the shadow.

Chopra also, while quoting the Bible, refers to the Gnostics Gospels. The Gospel of Thomas. The Gospel of Truth. These texts, as much as Matthew, Mark, Luke and John amplify Jesus' mysticism.

I left the Gypsy Bean once more assured that I am not a Christian, but a reader of Jesus.

As I left Gordon Square and drove down Detroit to the Shoreway, I saw one of Carrie's old friend's Tim. And I had to laugh. Here I was given an immediate chance to be enlightened and follow the gospel of Liz Gilbert. I said to myself, "Love and Light, Carrie, and I let you go." Then, just five minutes later, I tuned my Sirius radio to the CoffeeHouse channel (a channel I have not listened to in a week -- I have been fixated on talk radio). The first song that came on was Maroon Five singing "Lovely Day" -- a song sung by Bill Withers that Carrie named as our song early on in our relationship. I have only heard the song three times since she left, and I thought it was funny (in that "I can't believe this is happening" way) on the day I was thinking about how to release love. So, as I started to cry for the mystery of it all, I said again, "Love and Light, Carrie, and I let you go."

There was -- there is -- a certain peace in that. A certain peace in this day. I have eaten fuel for my body. I have prayed to a God who watches over me. I have loved in my life, and I am getting more and more able, to let love go so that a greater love can find me.

Wednesday, August 11, 2010

Paths and destinations

It's the specifics that throw me for a loop.
All of the details, unanswered,
remnants from the 5 Q reading and writing technique
we strangle the kids with in school.
Who? What? When? Where? Why?
I do not have inkling responses to any of those questions,
but I hope they will be:
her, love, soon, here, because.
Maybe that should be my daily prayer.
Give me this day my
her, love, soon, here, because.
I could work at it. Or I could wait for it, have it come to me.
I do not know which god to pray to, the one of action, or the one of destiny.
Maybe both have ears for the mantra,
maybe both can hear my night time pleading.
Her, love, soon, here, because.
Her, love, soon, here, because.
I remember a recent afternoon, when I stood on the high edge
of the Rocky River and I screamed out to the dry creek bed,
the walls of the gorge. I screamed out over the heights to the distant trees.
I screamed out of my fingertips, and down through my toes,
all of me open akimbo to the world.
I screamed out, "Come. Come."
But maybe I was not specific enough.
Meals have come, friendships strengthened, commitments locked down.
Days have spun past, skunks have been fed, the dry grass is browning.
Time has come, goodness has come.
But not her, love, soon, here, because.
So tonight, perhaps, I will take to the highest place on my side of town,
and I will ask my gods for the thing I want.
No, the thing I need. And perhaps then
she will come, love will come, soon will come here,
and come will come because it has been called.